Eliot Waugh (
eliotwaugh) wrote2019-09-17 12:34 am
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sparks are spilling out the gears (for Martin and Daine)
Eliot straightens up and feels his back crack. Another late night scribbling equations until he nearly passes out from exhaustion. It's probably not a good sign that he's getting used to waking up smelling like scotch and chalk dust, but at least he's managing to make himself presentable for shifts at the Archive. At this point the aggressively nonsensical nature of city records is almost a relief, and he's been surprised to find that he actually enjoys the mundane office work.
He knows somehow that there's probably an easy solution to his magic dilemma, that trying to brute-force the math is about as reasonable as searching an entire beach of keys one at a time for one in particular. But he's never been inclined to do things the easy way. So he's run the numbers on calculating Planck's constant three different ways, determined that no, this earth shouldn't be any larger or smaller than the one he knows, and tried a dozen other approaches without finding what he's looking for.
Eliot switches to water at midnight, slumping on his uncomfortable couch as he examines the charred remains of an oak leaf. Blue's power boost has helped, certainly, as well as attuning to the ley line for his sense of a cardinal direction, but what spells he's tried are still liable to just end explosively rather than doing exactly what they're supposed to. It shouldn't be this much work to transmute materials. He sighs and closes his eyes, letting his mind drift in a free-association haze brought on by low blood sugar, probably. He thinks about turning carbon to gold, and how gilded leaves would make for nice autumnal decor, and how if he were home he'd probably be well into costume planning in his continued efforts to get Fillory to celebrate Halloween. He thinks about gold leaf and Mycenean treasures, lost caches of ancient kings. He thinks about computer code as archaeological strata. A name drifts up from the depths of his subconscious. Schliemann.
He sits up too fast, his head suddenly throbbing, and frowns as he reaches for another leaf from the pile on the coffee table. he holds it in one hand while gesturing with the other, adjusting the movement of his fingers and trying to keep the metaphorical image in his mind. The incantation, a Cycladic dialect pronounced more musically than he'd done before. He doesn't reach as deep, doesn't feel the prickle of static in his hands. There is only a faint shimmer around the leaf in the moment before it grows heavier and changes from red to gleaming gold.
He grins, and sets it down with a soft metallic clink before firing off a series of texts.
He knows somehow that there's probably an easy solution to his magic dilemma, that trying to brute-force the math is about as reasonable as searching an entire beach of keys one at a time for one in particular. But he's never been inclined to do things the easy way. So he's run the numbers on calculating Planck's constant three different ways, determined that no, this earth shouldn't be any larger or smaller than the one he knows, and tried a dozen other approaches without finding what he's looking for.
Eliot switches to water at midnight, slumping on his uncomfortable couch as he examines the charred remains of an oak leaf. Blue's power boost has helped, certainly, as well as attuning to the ley line for his sense of a cardinal direction, but what spells he's tried are still liable to just end explosively rather than doing exactly what they're supposed to. It shouldn't be this much work to transmute materials. He sighs and closes his eyes, letting his mind drift in a free-association haze brought on by low blood sugar, probably. He thinks about turning carbon to gold, and how gilded leaves would make for nice autumnal decor, and how if he were home he'd probably be well into costume planning in his continued efforts to get Fillory to celebrate Halloween. He thinks about gold leaf and Mycenean treasures, lost caches of ancient kings. He thinks about computer code as archaeological strata. A name drifts up from the depths of his subconscious. Schliemann.
He sits up too fast, his head suddenly throbbing, and frowns as he reaches for another leaf from the pile on the coffee table. he holds it in one hand while gesturing with the other, adjusting the movement of his fingers and trying to keep the metaphorical image in his mind. The incantation, a Cycladic dialect pronounced more musically than he'd done before. He doesn't reach as deep, doesn't feel the prickle of static in his hands. There is only a faint shimmer around the leaf in the moment before it grows heavier and changes from red to gleaming gold.
He grins, and sets it down with a soft metallic clink before firing off a series of texts.
no subject
The mention of spellcasting has him lighting up - both because he's excited for Eliot, finally understanding the root of all this manic energy, and because the idea of seeing actual magic is still very novel and exciting to him. He smiles brightly at the remark that he's been helpful, not pausing to examine whether or not it's sad that that more than anything has him feeling so acutely pleased.
"Oh, that's-" he starts excitedly, but then he stops himself, pursing his lips over the explanation of the brownies. "Oh, Eliot, really."
no subject
"It's just what mages do," she informs him. "Except for wild mages. We're too sensible." She grins up at Eliot, though, because she doesn't really blame him. His magic is fiddly in ways hers isn't. She's offered some help with all the work he's had to do, mostly involving questions about the local environment, which she knows quite well (and if you want to know about soil composition or the kind of bedrock you're sitting on, moles and bats are experts). But she can't even begin to get her head around how much he has to work out before he can really do anything, and it's no great wonder to her that he's wound up down some rabbit holes and forgotten to take care of himself.
no subject
"Yes, well," he sighs, shrugging at Martin's disapproval. "You don't need to be mother hens, either of you, because I'm fairly certain I've cracked it, so." He ushers them to the sofa, clearing away the strew of notes as he goes.
Where to begin? There's certainly plenty of time until the brownies will be done, and Eliot had thought about doing a bit of a light show but that wouldn't be kind to the bats. So perhaps a bit of background is in order.
He clears his throat. "So the problem, as I realized, was that the way magic works in my world, the way it even exists at all, is due to a sort of a flaw in the way the universe is structured. We didn't know this of course when I was first learning, it was something we discovered later on and that was a whole can of worms, let me tell you. But if you imagine something like...like one buggy line of code in a computer program or a thread in a tapestry that was woven wrong and creates a tiny hole, that flaw allows magic a way to get into an otherwise mundane reality. And for me, well, knowing the inherent energy and geographic Circumstances of a place is half the work but the rest of the magical process, the oomph that makes it function, is focusing one's will on that universal flaw and manipulating it to affect change upon reality."
It's not a half bad explanation, Eliot thinks, and for a brief moment he wonders what his life might have been like if he'd gone into teaching or something instead of dedicating himself to hedonism after he graduated. Probably not nearly as fun, really.
"But here, though," he continues, sounding a little sheepish, "I've been trying to do it the same way and it simply doesn't work. I thought it was a matter of different Circumstances, but what I've just realized is I've been trying to reach down into the bones of this universe to find a flaw that simply isn't there. Darrow's not the same as my world at all, and I've, well, just been trying too hard. Shocking, I know. But I think now I should be able to adjust my methodology, and it might take some trial and error but the important thing is I know how it works."
Grinning, Eliot hums a low tune; his mind knows what to look for now. He snaps his fingers and this time, finally, a small cheerful flame springs to life in his hand.
no subject
"Wow," he blurts out in genuine awe over the description of how it all worked where Eliot's from. The implications are astounding. He seems a bit embarrassed as he continues, but Martin has no idea why - to him, this is all outrageously cool. And that Eliot's been able to figure it out here, when it all seems wholly contingent on what reality one inhabits at any given moment, is even cooler. Daine's abilities seem somehow intrinsic, and John's operating more or less the same, even somewhat cut off from his source. But Eliot's had to relearn everything from the ground up with only his wits and not even a month's time.
So it is with even greater anticipation that he leans in a bit to see what Eliot's about to do, and when the flame bursts up, small but no less impressive, Martin lets out a delighted little gasp.
"That is amazing," he says eagerly, more about all of it than the fire, though he watches it flicker away with a big grin.
no subject
Still, there's nothing overtly scientific about the little tune he hums, and then he snaps his fingers, and a fire springs to life in his palm. Daine grins, oddly pleased that his first trick should be calling fire. That's one of the basics for folk who have the Gift back home, a classic way of demonstrating that you've got something.
"That's marvelous," she agrees. "Where does the oomph come from, then? If there's no flaw here?"
no subject
"You know I don't actually know?" Eliot admits, thinking over Daine's question. He transmutes another oak leaf and with a bit of staccato Etruscan shapes it into the form of a small bat. He doesn't feel confident to try animating it yet, but at least it's a cute paperweight. "Martin, you said when we met that Darrow is magic, on some level? I don't know if I'm siphoning off of the city or what, but I think my best guess is that magic is just...maybe a naturally formed part of the world, however this world works, and not something I need to ferret out so much. Just doesn't feel like I have to reach as deep."
He stands up, frowning a bit. "Of course I don't like the possibility that I might be draining the life force of something, even if it is a horrible place-entity that kidnapped us all from our homes, but...hm. Suppose I'll just have to not do anything too extreme?"
There are other reasons for moderation, of course, that Eliot doesn't mention. If he doesn't know how much power he can tap into here, he doesn't know what would push him past his limits. And he doesn't trust that any of his fellow castaways have the skillset to bring him back, if he ended up like Alice.
"Sorry," he says brightly, swerving out of his own grim thoughts, "would either of you care for tea?"
no subject
So when Eliot suggests tea, he nods promptly, giving no thought to the hour. "Love a cup," he says. "I could go and fix it if you'd like to keep, well—demonstrating." He doubts Eliot will allow it—he seems very committed to being a good host—but it's worth a shot.
Before he even gets an answer, he can't keep from asking, "Do you think—if you were siphoning it somehow, I mean... is it a finite resource, or...?"
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"Makes sense, I suppose," she says. "Wild magic exists here, elsewise I'd be useless." That isn't entirely true -- she'd still be able to take animal shape -- but in a place like Darrow, that's the least useful of her abilities, more of a party trick than something she often uses to help anyone. "There's probably all kinds of other magic just... around," she continues with a flap of her free hand.
Granted, Eliot's the first mage she's ever met who seems to draw his magic from around himself and not within himself, but that doesn't mean he's taking what can't be spared. On a bit of a whim, she lets her focus turn inward, examining her own magic for any sign that it's been siphoned away. But nothing looks missing or diminished, and she blinks back up at Eliot. "You're not borrowing from me, at any rate. At least, I don't think so. I'd have to change my focus a bit and watch you do it to be sure." Brightening a little, she asks, "Should I? Maybe I can see where you're getting it from."
She sets Eliot's bat back down. "I'd have some tea," she agrees.
no subject
"I suppose it would be good to know for certain," he says, considering his options, and the possibility that the city would find some way to act against him if he used too much of what appears to be the latent magic of this universe. "Right, I'll try something a little more robust perhaps, and you can take a look? See if it's draining the life out of anything? I mean I hope not, obviously, wouldn't be able to live with myself if that were the case."
He's babbling a bit, but he starts to focus in on a spell and his hands form the shape of it, making minute adjustments to the configuration like he's playing a song by ear. After a false start he casts Fergus' Spectral Armory, and it seems to take: a brief opalescent shimmer covers his form for a moment. But he doesn't know how solid it is, and there's really only one way to find out.
"Martin," he begins, grinning, "There's a dust mop in the cabinet over there, would you be so kind as to get it and try to hit me with it?"
no subject
He's grinning as well when Eliot addresses him, but as soon as he understands the question the smile slips from his face.
"Wait, what?" he sputters. "I'm not going to hit you with a mop, Eliot!"